black queer poets

2019 Keynote Address : Dr Paul G Bulgar Lecture Series, and Buffalo State’s Anne Frank Project

Author and activist Dr. Alexis DeVeaux speaking during the Anne Frank Project Social Justice Festival at SUNY Buffalo State.


AFP 2019: Engage for Change, Buffalo State College’s 11th annual Anne Frank Project social justice festival, was held this week, featuring author and activist Alexis De Veaux, distinguished speaker in the Buffalo State College Paul G. Bulger Lecture Series, who kicked off the event Tuesday evening.

Dr De Veaux’s keynote “What IF: Imagination as Engaged Action” was received with a standing ovation from a full auditorium of students, faculty and guests.

“What if “race” and racism as human life has constructed them, were done away with? Imagined out of existence? What if we could agree tonight, right here, right now, without need to argue the point, that racism and white supremacy are, as Toni Morrison suggested, indicative of “a profound neurosis.” What if we had a way to imagine our intraspecies health. What if we dispensed with the notion of ourselves as “allies” to social movements, and became accomplices. Became risking something rather than sidelines. “

Author and activist Dr. Alexis DeVeaux speaking during the Anne Frank Project Social Justice Festival at SUNY Buffalo State.


Dr Eric Darnell Pritchard of the University at Buffalo, New York State, attended the event and commented:

Dr Alexis De Veaux’s lecture “What If: Imagination as Engaged Action” was incredible! She was introduced by Katherine S. Conway Turner, the President of Buffalo State, SUNY, who is herself a dynamic scholar, teacher, and administrator. Here are some of the gems: “Imagination is the bloodstream to the vernaculars of freedom and love.” “Life is not about what I cannot do, but about what I want to do.” — “The opposite of poverty is justice.” —“Freedom and love are doing words. They are “We” forming and “We” sustaining.” — “Every movement for change started in someone’s imagination” — Citing @alexispauline’s #MArchive “Freedom is not a secret, it’s a practice.” — She also shared some of the wisdom from the Revival we participated in last weekend in Durham in celebration of our dear and beloved @sangodarejroxwallace. — I am so grateful for Alexis De Veaux and all my queer Black Feminist elders. For her queer Black Feminist brilliance. For her activism and art. For her queer Black Feminist elder-ing. For her legacy here in Buffalo and everywhere she calls home as a “multi-local” person. For the wisdom she shares with all. What a gift and an example of fortitude in the work of the possible!

On Wednesday 2nd October, Dr De Veaux facilitated a workshop “Activate Peace” which was again a full house with mainly students, and some faculty and administrative staff attending.

Author and activist Dr. Alexis DeVeaux conducting workshop during the Anne Frank Project Social Justice Festival at SUNY Buffalo State.

Author and activist Dr. Alexis DeVeaux conducting workshop during the Anne Frank Project Social Justice Festival at SUNY Buffalo State.

Author and activist Dr. Alexis DeVeaux conducting workshop during the Anne Frank Project Social Justice Festival at SUNY Buffalo State.

Sisterfire 2018, interview with Alexis De Veaux

 

This year marks the 40th anniversary of the Sisterfire festivals which began in the 1980s.  Alexis regularly attended the festivals and will be present at this year’s anniversary celebration in Washington DC. Below is an excerpt from an interview with the Smithsonian American Women’s History Initiative on the importance of the Sisterfire festivals.

 

Alexis at the 1982 Sisterfire festival, Washington DC,

 behind her is the black gay poet and activist, Essex Hemphill

 

Q: What are your memories of Sisterfire festivals in the 1980s? How did they inspire you?

A: I remember the Sisterfire festivals in the 1980s as not simply an event but an opportunity for community we all looked forward to. We were all hungry for, and needed, a sense of community that was local and global, and the Sisterfire festivals shaped a weaving of multicultural women’s voices that were necessary to surviving the Reagan era. As black, female-identified and lesbian, I felt particularly in need of, and inspired by, the ways in which Sisterfire politicized the erotics of our resistances.

Q: How did Sisterfire festivals elevate women artists of that era?

A: The festivals provided a venue for our collective visibility, by introducing us to each other across geographies, political agendas and economic realities. There were few, if any, such venues; certainly not another that prioritized a multicultural women’s world view in which art and politics merged in powerful couplings.

Q: How does the legacy of Sisterfire benefit young women artists today?

A: To the extent that we can create necessary intergenerational opportunities for cross-fertilization and knowledge exchange, the history and legacy of Sisterfire is poised to present women artists coming up behind us with a sense of —a model of—what is possible. That’s one of the things Sisterfire did. It made possible what had been impossible. And it can point the way to what can be done now.

 

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In 1982, Roadwork produced the first Sisterfire Festival at Takoma Park Jr. High School in Washington, DC. Initiated as a fundraiser during the severe arts-funding cutbacks of the Ronald Reagon years, Sisterfire featured women artists and welcomed all genders to participate in an open-air urban environment. This video was filmed by Victoria Eves and aired on several local cable channels as well as WETA televisio

Roadwork Documentary Project Teaser from Roadwork, Inc. on Vimeo.

 

 

The Smithsonian Folklife Festival joins Roadwork in celebrating its fortieth anniversary as a D.C.-based multiracial coalition that puts women artists on the road globally.