Introduction to Love | Hope | Community
Sexualities & Social Justice in the Caribbean, Online Multimedia Edition
With thanks to Rosamond S. King & Angelique V. Nixon – Co-Directors, Caribbean International Resource Network for inviting myself and Alexis De Veaux to be part of this event.
by Alexis DeVeaux and Sokari Ekine
I pray for us
as evening glides over
implore the gods
pray for us pray
for this breathing
planet the milky way
no need for heaven
this is how it started:
way out beyond we
the sweet of your lips
dipped in promise
anxieties claim us
bark and skin
what we cannot
remember we give birth
“we have poetry so
we will not die
“That’s what poets do….. we worry words..”
June Jordan, April 23, 2000
Sometimes it would happen when we were out being “running buddies” (that’s what J called our friendship) at a political event or poetry reading. It could happen during a visit to one of her beautiful, immaculate Brooklyn apartments. Most of the time though it would be a late night phone call that would turn our “running buddies” thing into a thug thing: so-and-so had done her wrong. So-and-so had to pay for that. She’d already ironed and creased her jeans (looking good was important, even in battle). Said she’d wait for me to do the same. Then meet her, and go kick some butt. I idolized J, so a wrong to her was a wrong to me. Half the time I was grateful when “the enemy” wasn’t at home, couldn’t be found, shrunk at the sight of her. Or when we’d laugh ourselves almost comatose until she calmed down, and realized the absurdity of a prominent social activist – her – being arrested on some silly assault and battery charge.
In time, I understood that J had this deeper thing about sovereignty. Being sovereign was not just about the liberation struggle in South Africa, the Sandinista movement in Nicaragua, the state of black America, the anti-nuclear proliferation movement or the Palestinian Liberation Front, all of which were among her priorities when she lived in New York City in the 1980s. Being sovereign was basic to her humanity, fundamental to a principled way of living. She believed in and advocated for her own self determination; whether the context was working out the kinks of loving and being loved, sweating out the next sentence of whatever she was writing, having beauty in her life or resisting any actual or possible personal harm. As she embodied it, poets have to ‘worry words” because the sanctity of being human is the bravery of speech.
She published thousands of words in the form of 28 books; persisting as a writer in spite of the fact that she was under-recognized in some literary quarters. There are far too many who do not know her name, do not know the trembling bravery of her poems and essays. There are far too many who do not know what it meant for her to stand sovereign.
June Jordan’s poems, essays, commentaries in The Nation and other publications, children’s books, plays, audio recordings, her only novel (His Own Where, 1971) and even her troubling memoir (A Soldier: A Poet’s Childhood, 2000) are evidence of a deeply brilliant, passionate spirit. And they are blueprints for radical social change. We need only to read them to figure our way out of the mess this country is currently in. J would be the first to say we have a president we did not elect. The first to say we have been duped by the prostitution of patriotism and have acquiesced to living in “Newmerica”, where a shadowy “war on terrorism” encourages citizens to spy on each other. She would be the first to remind us of the Declaration of Rights, the Constitution, the right of the people to resist “taxation without representation.” She was a true freedom fighter.
She would be sovereign. Now more than ever
Alexis De Veaux
Originally published in “The Women’s Review of Books” October, 2002.
Tuesday 14th March
Alexis recently took part in two events in New Orleans. The first took place at Tulane University, as part of the annual “Audre Lorde Days,2017” organized by the Office of Gender and Sexual Diversity, Alexis presented a keynote address “Uses of the Erotic: The Erotics of Activism”
During the Fourth Berkshire Conference on the History of Women, at Mount Holyoke College in Massachusetts, in August, 1978, Audre Lorde delivered her paper, “Uses of the Erotic: The Erotic as Power.”(1) A groundbreaking meditation on power in the context of social change, “Uses of the Erotic” outlined Lorde’s theory of the role of eros, “the personification of love in all its aspects […] personifying creative power and harmony” (2) as a source of power […] that can provide energy for change. ” (3) While addressing the corruption of the erotic in women’s lives in particular, in western culture; its difference from the pornographic; the “internal sense of satisfaction […] to which, once we have experienced it, we know we can aspire;” (4) Lorde made specific her argument that the “suppression of the erotic as a considered source of power and information” (5) was antithetical to a radical life.
How many of us think of the erotic as an “internal sense of satisfaction” when we think of making social change, of organizing and protesting, of resisting the powers that be? How many of us today, proponents of this “new” intersectional feminism, thirty nine years after Lorde introduced her theory of the erotic, as a change agent, think of the pleasure implicit in that “sense of satisfaction”? How many of us think of pleasure as political?(1) Lorde, Audre. “Uses of the Erotic: The Erotic as Power,” Sister Outsider, Essays and Speeches (Trumansburg, New York: The Crossing Press, 1984), 53-59(2) “Uses of the Erotic,” p55(3) Ibid, p53(4) Ibid, p54(5) Ibid, p53
On March 16, Alexis was joined by writer, Bernice L. McFadden as guests of the Amistad Research Center’s monthly “Conversations in Color” panel. The two writers discussed “Black Women Writers and the Re-Imagination of American Culture” at the Ashe Cultural Arts Center in New Orleans. Watch the full conversation:
Alexis and Bernice also participated in a discussion on WBOK Radio:Good Morning Show” with Oliver Thomas, “Conversations in Black”