Blog Posts

Split This Rock – 2018 . – Sister Love: Celebrating the letters between Pat Parker and Audre Lorde

Sister Love: Celebrating the letters between Pat Parker and Audre Lorde

 

Alexis De Veaux, Cheryl Clarke,  J P Howard, Mecca Sullivan participated in a panel discussing the letters between Pat Parker and Audre Lorde, 1974 -1989.   Lorde was 35 and Parker 25, when they were introduced by Wendy Cadden, a member of the Women’s Press Collective.   The letters cover the most productive and intellectual years of both writers  and provide an insight into their respective interior worlds.  The panel was moderated by Julie Enszar, editor of “Sister Love”  and the journal Sinister Wisdom.  The event, which was packed out, was held on Thursday 19th April as part of the 2018 Split This Rock event.

 

 

 

 

 

 

 

 

 

 

 

 

Queen: A symposium on Black Beauty at Xavier University

 

“Breath Erotica” – “we have poetry so we will not die of history”

Introduction to Love | Hope | Community
Sexualities & Social Justice in the Caribbean, Online Multimedia Edition

With thanks to Rosamond S. King & Angelique V. Nixon – Co-Directors, Caribbean International Resource Network   for inviting myself and Alexis De Veaux to be part of this event.

 

“Breath Erotica” (Visual Story)

by Alexis DeVeaux and Sokari Ekine

I pray for us
as evening glides over
implore the gods
pray for us pray
for this breathing
planet the milky way
dreams us
into galaxy
no need for heaven
this is how it started:
way out beyond we
below
the sweet of your lips
dipped in promise
anxieties claim us
bark and skin
what we cannot
remember we give birth
to
“we have poetry so
we will not die
of history”

Continue 

 

“Thats What Poets Do”…For June Jordan

June and Alexis, 1996. [Photo credit, Jon Snow]

Freedom Fighter

 

“That’s what poets do….. we worry words..”

June Jordan, April 23, 2000

 

Sometimes it would happen when we were out being “running buddies” (that’s what J called our friendship) at a political event or poetry reading. It could happen during a visit to one of her beautiful, immaculate Brooklyn apartments. Most of the time though it would be a late night phone call that would turn our “running buddies” thing into a thug thing: so-and-so had done her wrong. So-and-so had to pay for that. She’d already ironed and creased her jeans (looking good was important, even in battle). Said she’d wait for me to do the same. Then meet her, and go kick some butt. I idolized J, so a wrong to her was a wrong to me. Half the time I was grateful when “the enemy” wasn’t at home, couldn’t be found, shrunk at the sight of her. Or when we’d laugh ourselves almost comatose until she calmed down, and realized the absurdity of a prominent social activist – her – being arrested on some silly assault and battery charge.

In time, I understood that J had this deeper thing about sovereignty. Being sovereign was not just about the liberation struggle in South Africa, the Sandinista movement in Nicaragua, the state of black America, the anti-nuclear proliferation movement or the Palestinian Liberation Front, all of which were among her priorities when she lived in New York City in the 1980s.   Being sovereign was basic to her humanity, fundamental to a principled way of living. She believed in and advocated for her own self determination; whether the context was working out the kinks of loving and being loved, sweating out the next sentence of whatever she was writing, having beauty in her life or resisting any actual or possible personal harm.   As she embodied it, poets have to ‘worry words” because the sanctity of being human is the bravery of speech.

She published thousands of words in the form of 28 books; persisting as a writer in spite of the fact that she was under-recognized in some literary quarters. There are far too many who do not know her name, do not know the trembling bravery of her poems and essays. There are far too many who do not know what it meant for her to stand sovereign.

June Jordan’s poems, essays, commentaries in The Nation and other publications, children’s books, plays, audio recordings, her only novel (His Own Where, 1971) and even her troubling memoir (A Soldier: A Poet’s Childhood, 2000) are evidence of a deeply brilliant, passionate spirit. And they are blueprints for radical social change. We need only to read them to figure our way out of the mess this country is currently in. J would be the first to say we have a president we did not elect. The first to say we have been duped by the prostitution of patriotism and have acquiesced to living in “Newmerica”, where a shadowy “war on terrorism” encourages citizens to spy on each other. She would be the first to remind us of the Declaration of Rights, the Constitution, the right of the people to resist “taxation without representation.” She was a true freedom fighter.

She would be sovereign. Now more than ever

Alexis De Veaux

 

Originally published in “The Women’s Review of Books” October, 2002.